Category Archives: 72-13

Writing In The Thick Of Now: A Devising Performance Workshop by Manuela Infante

TheatreWorks Writers’ Lab invites lauded Chilean playwright and director, Manuela Infante, to Singapore to conduct a devising performance workshop.

Whether you have an idea brewing, or a work-in-progress, this interdisciplinary workshop will take you to the next step! This workshop is open to writers, directors, performers, and designers interested in developing their work collaboratively.

Infante will focus on devising and writing by drawing materials from what is created in the rehearsal room with performers. By applying her methodology towards your creative process, you will explore theories of non-anthropocentric theatre, in which other forces such as light, sound, words, and other non-human entities find time and space to participate in the forging of the work.

Participants will write on the spot, in the rehearsal space, and after the rehearsal, breaking the conventional approach of writing where “the words come first”.

In this workshop, the body, the space, and improvisation stand at the forefront, thus removing the human author from the centre of creation.

Infante was last seen in Singapore presenting, Vegetative State as part of the Singapore International Festival of Arts in 2017. She regards her plays as essays in a corpus of broader currents of thoughts that stems from theoretical writings, science, and cultural studies, characterising her work as a kind of ‘irresponsible philosophy’.

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“Irresponsible in the sense that we strive from stealing from theory to make work, and not having to inscribe myself responsibly/responsively back into the academic corpus. My work is about letting ideas acquire a material life of their own, watching them find their way into the material world, into our bodies and our relations, and thus into time.” – Manuela Infante

Infante is widely celebrated for feminist re-envisioning of famous historical figures, combining slapstick humour and prose.

Her works have toured around the world and have been widely applauded by critics and audiences. From 2001 to 2016, she was part of Teatro de Chile, one of the most highly regarded young theatre groups in Chile. Infante’s repertoire of works includes Fin (2008), co-produced and premiered at the festival of Modena, Italy, and What’s He Building in There? (2011), created in residency at The Watermill Center, and premiering and shown in several spaces in New York. In 2012, she directed On the Beach,curated by Robert Wilson and premiered at the Baryshnikov Arts Center in New York; as well as Don’t Feed the Humans, premiered in Hebbel am Uffer in Berlin, Germany. Infante was also selected as Artistic Director of the XVI Playwright Selection 2014, organized by the Consejo Nacional de la Cultura y las Artes.

This is your chance to develop your own work with guidance by Manuela Infante; one of the most prolific and interesting voices in contemporary theatre in Chile and Latin America.


Structure of the Workshop:

Session 1
• Introduction to non-humanist approach and devising methodology
• Discussion of reading materials

Session 2
• Project presentation and discussion
• Designing a methodology for your project

Session 3 – 6
• Working on a methodology for your project

Dates:  26 Nov, 28 Nov, 30 Nov, 1 Dec, 3 Dec, & 5 Dec 2018

Times:
Mon – Fri: 7.30pm – 10.30pm
Sat: 2.30pm – 6.30pm

Venue: 72-13, Home of TheatreWorks

Registration Fees

Registration Fee: $800 (for a group of up to 5 participants. Each group can comprise of writers, performers, directors and designers)

Observership is available at $20 per session.

 


About Manuela Infante

Born in 1980 Manuela Infante is a Chilean theatre playwright, director, script writer and musician. Infante holds a BA in Arts from the University of Chile and a MA in Cultural Analysis from the University of Amsterdam. With her group Teatro de Chile (2002-2016) she wrote and directed numerous works with the support of the Chilean Funds for the Arts. Four of her plays have been published and translated into English and Italian. Her work has toured internationally to the U.S., Argentina, Brazil, Perú, Mexico, Germany, Spain, Ireland, Italy, Holland, Switzerland, Singapore and Korea. She has produced work with Hebbel am Uffer, Festival de Modena, The Watermill Center, FIBA and FITAM. In 2015 she was the first woman to be appointed director of The National Festival for Dramaturgy (Muestra Nacional) in Chile.

http://www.teatrodechile.cl

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Script Analysis Workshop: The Reunification Of The Two Koreas

This month, TheatreWorks Writers’ Lab focuses on the playwright of our upcoming production Joël Pommerat, one of the most exciting voices in French Theatre today and a ‘superb artisan’ as described by the legendary Peter Brooke.

The Reunification Of The Two Koreas was originally written in French by Pommerat in 2013. Translated into English by playwright and dramaturg Marc Goldberg, TheatreWorks will present its English premiere in Singapore this November.

Pommerat takes a distinctive approach to playwriting. As an author-director, Pommerat believes there is no hierarchy: the staging and the script are elaborated at the same time during rehearsals. He refers to himself as a “show writer”, and continues writing through working with actors, as much as when working on the scenography, lighting and sound.

Using The Reunification Of The Two Koreas script as the focus, Goldberg, who has over 20 years of experience in writing and directing for the theatre, will guide participants in deciphering Pommerat’s apporach of being a ‘story writer’.

Pommerat’s plays are deeply anchored in modern life and he regards the theatre as “a place in which to interrogate and experience humanity. Goldberg is joined by award-winning actress and arts educator Noorlinah Mohamed, who will share an actor’s perspective in interpreting Pommerat’s scripts that revolve around the complexities of the human experience.

Goldberg and Noorlinah will lead participants in examining Pommerat’s script and its relationship with the audience, the characteristics and role of the story, how characters are built, the use of language in the play, and what you can learn from Pommerat’s scripts.

Participants will look at Pommerat’s creative process, get key insights on how it can be utilised in their own creative work and its suitability in a Singapore context.

This workshop is recommended for playwrights, directors and actors to gain a deeper understanding of character, intentions, calls to action, and the construction of an outstanding play.

Outline of the workshop:
• Discover Joël Pommerat, a “show writer”
• Examining the relationship between script and audience: Ambiguity, meaning and purpose.
• Character building: What should playwrights have in mind when creating characters?
• The type of language Pommerat uses
• An actor’s approach towards the script

Participants will be required to read the script of The Reunification Of The Two Koreas beforehand.

Script Analysis Workshop: The Reunification of the Two Koreas
Date: 27 October 2018
Time: 2.30pm – 10.30pm
Venue: 72-13, Home of TheatreWorks, Mohamed Sultan Road Singapore 239007

Registration Fees (Workshop Only):
$100 (Standard)
$60 (Student)

Bundle Performance + Workshop:
$140 (Standard)
$80 (Student)

Please send an email to writerslab@theatreworks.org.sg to register. If you have already purchased your ticket, please include a copy of your ticket for verification when emailing us.

Synopsis: The Reunification Of The Two Koreas
The Reunification Of The Two Koreas by Joël Pommerat is a patchwork of multiple short scenes revolving around an unuttered question: what are human relationships made of?

A woman wants a divorce because there was never any love between her and her husband. On her wedding day a bride discovers her fiancé had an affair with each of her four sisters. Two best friends get into a savage fight because one of them recalls their first encounter. A prostitute bargains down her services to hook a client.

What are those bonds that lead us to love, hate, help, betray, care, flee, fight, abuse or lie? Each scene explores situations where a relationship is challenged, drawing us into a maze where appeased relations between humans seem as primal, desirable and quixotic as the reunification of the two Koreas.

Facilitators:

Marc Goldberg
Marc Goldberg has been involved in French theatre for over twenty years before moving to Singapore in 2013.

He has staged about 30 shows with a penchant for medieval and contemporary drama, including A Woman of Mystery by John Cassavetes with Molières award wining actress Myriam Boyer, The Baby by Marie Darrieussecq with pop singer Lio, and Two Singapore Monodramas performed in France and Singapore during the Singapore Festival in France.

He is also a produced and published playwright (for instance La Colonne de Frickstein was published by Editions Les Cynges, Les Rendez-Vous was performed over 100 times, Scents of Josephine was staged in Singapore at the Drama Centre by Samzy Jo); and translator (his translation of Women of Troy by Ravenhill was published by Les Solitaires Intempestifs and staged by Jean-Pierre Vincent, his translation of Le Clown du Rocher by Catherine Lefeuvre was performed at Gardens by the Bay).

Noorlinah Mohamed
Noorlinah is an award-winning actress, a teaching artist and creator of public engagement projects in Singapore. Since 1988, she has performed and taught in Singapore, Asia, Europe and the U.S. Noorlinah is a recipient of the JCCI Cultural Award (2008) and the Women’s Weekly Women of our Time Award (2005) for her contributions to the arts. She obtained her PhD in Arts Education from the University of Warwick in 2013 and was Director of The O.P.E.N., a pre-festival of ideas and public engagement initiative of the Singapore International Festival of Arts (2014-2017).

 

TheatreWorks presents: ‘The Reunification of the Two Koreas’

In one month’s time, TheatreWorks proudly presents The Reunification Of The Two Koreas! The second play of our BECAUSE I LOVE YOU Season.

The Reunification Of The Two Koreas by Joël Pommerat is a patchwork of twenty short scenes revolving around an unuttered question: what are human relationships made of?

A woman wants a divorce because there was never any love between her and her husband, on her wedding day a bride discovers her fiancé had an affair with each of her four sisters, a mother is stunned when she learns her husband is happy with their son joining the army and risking his life at war, two best friends get into a savage fight because one of them recalls their first encounter, a prostitute bargains down her services to hook a client-

What are those bonds that lead us to love, hate, help, betray, care, flee, fight, abuse or lie? Each scene explores situations where a relationship is challenged, drawing us into a maze where appeased relations between humans seem as primal, desirable and quixotic as the reunification of the two Koreas.

The Reunification Of The Two Koreas is a co-production between TheatreWorks and Centre Dramatique National de Tours (CDNT). It is directed by Jacques Vincey, Artistic Director of CDNT, translated into English by Marc Goldberg, and performed by Cynthia Lee Macquarrie, Ebi Shankara, Karen Tan, Janice Koh, Pavan J Singh, Tan Shou Chen, Timothy Nga, Umi Kalthum Ismail and Zelda Tatiana Ng.

Event Information:
Thu, 1 – Sun, 11 Nov 2018
Wed – Fri: 8pm
Sat: 3pm & 8pm
Sun: 3pm Venue: 72-13, Mohmamed Sultan Road, Singapore 239007

Duration:          2 hours 30 minutes (with intermission)
Rating : Advisory 16 (Some Mature Content and Coarse Language)

Purchase your tickets on SISTIC today!


TheatreWorks presents its 2018 Season, BECAUSE I LOVE YOU, with two plays – 13.13.13 by Shen Tan and The Reunification Of The Two Koreas by Joël Pommerat.

More information available at www.becauseiloveyou.sg

Dramatised Reading 2018 by TheatreWorks Writers’ Lab

Fresh from ‘graduating’ from the Writing from the Heart Mentorship programme, a year-long mentorship with renowned playwright Tony Perez, emerging playwrights Clara Chow and Pamela Tham will have their original new works presented in a dramatised reading at 72-13.

Funny and vulnerable, these new works of heartfelt stories will stop you in your tracks, and have you reflect on the choices you’ve made in life. Words have power, and a voice can make a difference. These emerging playwrights will work with professional directors and actors who will help bring their words to life.

TheatreWorks is dedicated to nurturing and developing new writing for the theatre. Our script development process focuses on exploration and creative dialogue, away from the pressures of performance outcomes. It is not intended that writers will produce a performance-ready script by the end of a workshop. The primary motivations are to create a responsive community, to generate a feedback loop with our audiences who contribute to the growth of new scripts and to cultivate vital, confident playwrights.

We invite you to join us in listening and responding to these new works as Clara Chow and Pamela Tham take the next step in their playwriting journey

Details for the Dramatised Readings
Date & Time: 7 July 2018, 2pm to 10pm
Venue : 72-13, Mohd Sultan Road, Singapore 239007

Register here to receive an invitation Continue reading

Find out more ‘Dapunta Hyang: Transmission of Knowledge’ with its range of Engagement Programmes!

Join us for an array of events of talks and performances that will take you on a journey through the geographical, historical, cultural and artistic symbols that exist in our current exhibition, Dapunta Hyang: Transmission of Knowledge by Zai Kuning.

Last week we had a talk by Professor John N. Miksic who gave an insightful talk that touched on Singapore’s pre-colonial history in the larger Asian context, focusing on three specific mountains in Palembang (Sumatra), Singapore, and Melaka, which were epicentres that unified the Malay maritime culture.

This week, join us for a talk by Professor T.K. Sabapathy as he shares the significances of a stone inscription found in the vicinity of Bukit Seguntung in Palembang, that names Dapunta Hyang as a ruler who embarked upon a voyage or pilgrimage to gain merit and spiritual power. The contents of this inscription, the figure of Dapunta Hyang and ships or vessels are vital and dynamic wellsprings for Zai Kuning’s current work. T.K. Sabapathy discusses this inscription and its impact in the making of Zai Kuning’s Dapunta Hyang: The Transmission of Knowledge.

Symbolic Content in Dapunta Hyang: Transmission of Knowledge
Public Lecture by Professor T.K. Sabapathy
26 April 2018, 7.30pm

Click here to register for this public lecture today!

T.K. Sabapathy has researched and published extensively on modern art and artists in Southeast Asia; his work inaugurates pathways for developing art histories of the modern in this region. He is currently an Adjunct Associate Professor in the Department of Architecture, National University of Singapore where he teaches the history of art.


Dapunta Hyang: Transmission of Knowledge
72-13 Mohamed Sultan Road
12 April – 13 May 2018
12pm to 7pm
Tuesdays to Sundays

Opening hours are extended to 10pm on 26 April, 4 & 5 May 2018.


The presentation of Dapunta Hyang: Transmission of Knowledge is part of TheatreWorks’ aim to present innovative contemporary experiences and artistic expressions that offer Singapore audiences alternatives. Its home, 72-13 is an incubator for artistic experiments by both artists and creatives, while being a consistent conduit for dialogues between disciplines and cultures.

Dapunta Hyang: Transmission of Knowledge docking at 72-13 this April!

A 17 metre-long ship traverses the hall, suspended. As if emerging from the sea floor, it unloads hundreds of books sealed in beeswax. This is the imagined vessel steered by the first Malay king, Dapunta Hyang Sri Jayanasa of the 7th-century Srivijayan Empire.

Haunting, mysterious, full of magic and beauty is Zai Kuning’s vessel of the Srivijayan Empire, an artistic re-imagination of the voyage of Dapunta Hyang Sri Jayanasa who is believed to be the first ruler of the Malay Kingdom in the 7th Century. A masterpiece that has journeyed through Hong Kong, Paris and most recently to the 57th Venice Biennale, DAPUNTA HYANG: TRANSMISSION OF KNOWLEDGE is a culmination of an ongoing body of work that investigates Malay history and culture through the lesser-known narratives of the orang laut (sea people). It has successfully brought Malay cultural history and Singapore’s relationship to the larger Riau Archipelago onto the international stage.

In the homecoming of this highly-acclaimed work to be presented at 72-13, Singapore audiences will experience a multi-disciplinary exhibition that traces a 19-year long journey that has taken Zai Kuning to encounter the orang laut (sea people), mak yong (ancient Malay opera), and the lost world of the Malay maritime kingdom. This journey started with a residency by TheatreWorks (Singapore) in 2001. Surrounding the exhibition in Singapore will be live performances by Zai Kuning and collaborating musicians, talks by experts, and the screening of a new film that captures Zai Kuning’s extraordinary sojourn in search of our regional history.

Through the synthesis of forgotten histories and a living tradition on the verge of disappearance, Zai Kuning communicates the urgent need to resurface questions on how knowledge has been transmitted, manipulated and directed across time and space to inform us of our present reality.

Presented by TheatreWorks (Singapore) and 72-13, with support from National Arts Council (of Singapore) and Ministry of Culture, Community and Youth.

Dapunta Hyang: Transmission of Knowledge
72-13 Mohamed Sultan Road
12 April – 13 May 2018
12pm to 7pm
Tuesdays to Sundays

For more information about this exhibition and its programmes, please visit the website here!

Heman Chong on The Art in Writing by the Swiss Institute New York

For six nights in November 2017, artist Heman Chong’s new work for TheatreWorks – Because, the Night will inhabit 72-13.

A non-profit, second-hand bookshop with 50 books culled from a series of informal conversations with friends and strangers on Facebook. A space built for people who can’t sleep at night, a temporary home for insomniacs, the bookshop is open between 10pm to 4am.

Because, The Night extends and follows a thread in Chong’s work that he has woven since 1997. His concerns about the production and distribution of knowledge has brought him to produce exhibitions, conferences, books; playing roles outside of the artist— as curator, writer and of course, the bookseller. The bookshop is a confluence of many things. It is at once a depository of ideas, but at the same time, a social space in which individuals exchange ways of reading and seeing ideas.

Watch this Video by the Swiss Institute New York of artist, Heman Chong, on his ideas on The Art in Writing.

Bookshop for night owls – A feature by The Straits Times

Thank you to Olivia Ho and The Straits Times for featuring TheatreWorks upcoming programme, Because, The Night a second-hand bookshop for insomniacs curated by Heman Chong!

We already have 24-hour gyms, so why not a bookshop that opens late at night so people who love to read can have access to books?” – Heman Chong

 

1. BTN - Bookshop for night owls 7 Nov 2017

Click to enlarge

 

Link to The Straits Times Article: http://www.straitstimes.com/lifestyle/arts/bookshop-for-night-owls 


Because, The Night
9 – 11 & 16 – 18 November 2017
72-13, Mohamed Sultan Road Singapore 239007

Opening hours: 10pm – 4am (Last Admission: 3.15am)
Free Admission

 

The Curators Academy – Call for Application!

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OPEN CALL FOR PARTICIPANTS

TheatreWorks (Singapore), in partnership with the Goethe-Institut Singapore, is calling for participants to be part of the first edition of The CURATORS ACADEMY conceived & led by ONG Keng Sen, the Artistic Director of TheatreWorks (Singapore) and Founding Festival Director of Singapore International Festival of Arts (SIFA), 2014 to 2017.

The CURATORS ACADEMY invites interested individuals from South East Asia to apply for a place in the Academy. The duration of the Academy is from 24 to 28 January 2018 in Singapore. English will be the language of communication.

MISSION
The CURATORS ACADEMY is concerned with the curation of performance but intends to move beyond the skills of curation, unlike conventional training programmes in universities.

Its emphasis is on developing a context when there is little or none, for ‘growing’ performance, which engages and interrogates the politics of the local, the site. The first recognition of the Academy is that very often, curators need to cultivate a scene of processes between their public intellectuals, artists, audiences and civil society, to construct a scene and its own specifics.

PARTICIPANTS
This initiative is for aspiring curators in South East Asia. These will primarily be independent artists and producers with strong networks but the Academy will strive to provide a platform for exchange to develop various curatorial perspectives and considerations with them. The Academy is open to programmers affiliated with institutions; the focus remains on the development of independent curation.

It is the CURATORS ACADEMY’s belief that the curators nurture porous contexts, conversations, continuities through interrogating archives/legacies and bridging potentialities.

MECHANICS
The participants will be engaging in dialogue with trainers who will include ONG Keng Sen, curators from Germany as well as curators from other parts of the world. The trainers will bring specific perspectives based on their research and practice.

APPLICATION DETAILS :
The CURATORS ACADEMY invites individuals who have / who are:

  • An independent aspiring curator from South East Asia, who comes from the background of making art or producing art;
  • curious;
  •  a ready network; and
  • a desire to activate their networks to enable and transform their contexts and their communities. This includes enabling and transforming institutions they interact with, either from outside the institution(s) or sometimes in collaboration with the institution(s).

HOW TO APPLY?

Your application must include:

  • A brief description of your curatorial experience if any,
  • your current artistic and production practice,
  • A brief description of your current network(s)
  • Curriculum Vitae (up-to-date)
  • Portfolio of the recent projects / works (max. 10MB total)
  • how you intend to enable and transform your local contexts, communities or institutions, if given an opportunity.

Applications shall be submitted via email to the following email address: taytong@theatreworks.org.sg

Application deadline: 27 November 2017, 23:55 hours (Singapore time)

Please also keep in mind that only digital material is accepted and all documents shall be sent in the same email. TheatreWorks (Singapore) can respond to email inquiries except regarding the status of individual applications.

Successful applicants shall be informed in due course.

The CURATORS ACADEMY shall provide the selected participant a return economy class air-ticket from his/her city of residence to Singapore, per diem and hotel accommodation for the duration of the Academy from 23 January (day of arrival) to 28 January 2018. The day of departure from Singapore is 29 January 2018

We are expanding our team!

TheatreWorks is calling for applications for the following positions. Interested applicants should send in their cover letter and CV, indicating your expected salary, to Mervyn QUEK at mervyn@theatreworks.org.sg by 19 Nov 2017.

Shorlisted candidates will be notified by 1 Dec 2017.

1) Production Coordinator

The Production Coordinator will be responsible for operational and production related arrangements of all contracted productions. This includes:

  • Contracting and coordinating various aspects of the productions including preparing, monitoring and maintaining production budgets, purchasing and rental of equipment
  • Scheduling of meetings, rehearsals, technical rehearsals and performances
  • Arrangement of hotel accommodations, booking of (touring company) air travel, facilitation of contracts and visas for artists and production personnel;Hiring and supervising technical staff
  • Assisting in the general maintenance of the company’s rehearsal and performance spaces, as well as all equipment;
  • All other duties as assigned with regards to the preparation, operation and production of the company’s Singapore and touring productions.

Requirements:

  • Meticulous and a multi-tasker and able to work within tight timelines
  • Strong interest in the arts is a MUST
  • Strong administrative, communication and inter-personal skills are a MUST
  • Proficiency in MS Office and preferably familiar with software such as Autocad
  • Minimum 2 years working experience in a similar position and minimum Diploma Holder from a recognised educational institution

Remuneration will commensurate with candidates’ work experience

 

2) Partnership Executive

The Partnership Executive will lead the developing and implementing of TheatreWorks’ partnership initiatives with various stakeholders.

Partnerships

  • To grow Company’s Partnership portfolio and revenue streams including corporate sponsorships and fundraisers
  • To grow Company’s reach to potential audiences while deepening relationships with current audiences
  • To maintain and deepen relationships with existing partners, donors and stakeholders

Requirements:

  • Creative and imaginative
  • Strong interest in the arts is a MUST
  • Strong administrative, communication and inter-personal skills are a MUST
  • Proficiency in MS Office and preferably familiar with software such as Photoshop, Illustrator;
  • Minimum 2 years working experience in a similar position and minimum Diploma Holder from a recognised educational institution

Remuneration will commensurate with candidates’ work experience

 

3) Engagement Executive

The Engagement Executive will be responsible for reaching out to the Company’s community of artists, audiences, patrons and other stakeholders.

  • To assist the Managing Director in matters relating to the Company’s Engagement and Outreach programmes and activities which includes strategising and creating programmes / activities that will increase the Company’s engagement with its community of artists, audiences, patrons and other stakeholders.  The overall aim is to increase the Company’s reach and profile, leading to the enlargement of the Company’s support base that includes audiences and stakeholders.
  • To create content for the Company’s websites and to increase the effectiveness and efficiency of these websites.
  • To promote the Company’s connections and information flow with its defined ‘community’ as listed above.
  • To assist in the conceptualising and developing methods and ideas to publicise the company’s programmes including productions, exhibitions, presentations and screenings.
  • To work with and supervise appointed project staff, with the aim to co-ordinate and manage the above programmes in the most efficient manner.

Responsibilities:

  • Conceive and Implement Publicity Strategies
  • Conceptualise and develop methods and ideas to publicise the company’s programmes including productions, exhibitions, presentations and screenings
    Strategise and manage the usage of online and offline media such as EDMs, social media, print and broadcast media
  • Liaise with design houses on briefs and concepts for publicising company’s programmes
  • Liaise with designers / printers for the production of publicity collaterals
    Management of Publicity and Media Platforms
  • Organise, manage and maintain press and media relations for the company
    Organise, manage and maintain company’s mailing list

Requirements:

  • Creative and imaginative
  • Strong interest in the arts is a MUST
  • Strong administrative, communication and inter-personal skills are a MUST
  • Proficiency in MS Office and preferably familiar with software such as Photoshop, Illustrator;
  • Minimum 2 years working experience in a similar position and minimum Diploma Holder from a recognised educational institution

Remuneration will commensurate with candidates’ work experience